One spine, five programmes
Five companies grown from one practice, each running its own programme under its own name. The house carries the shared spine — production, curation, legal and logistics — that delivers all of them.

The practice
Alexandre Farto's practice — carving portraits and memory from surfaces. Lisbon walls, 2005; the Gare d'Orly, 2024; the Pyramids of Giza, 2025.
Selected projects
Public art, cultural programmes and special editions commissioned by brands — the full record is on the Work page.

Making the Invisible Visible
Hennessy · six cities, four continents · 2018
Urban Canvas
MINI · Lisbon · multi-year partnership
▶▶ Watch the reveal — via @netflix — Meta cookies apply2025 Slate Reveal
Netflix × Vhils · Setúbal · 2025A portrait mural revealed by controlled explosion in a deactivated Setúbal warehouse — the faces of Netflix's January 2025 slate, released on Netflix's own channels. · Expanding Roots

Special Edition by Vhils
SL Benfica × adidas · Estádio da Luz · 2026From Marvila, outward
The world's underground, on one Lisbon roster — gallery, public-art programme and editions house.

Ten years of cultural gravity
The urban-culture festival curated by Vhils — 16 editions incl. satellite showcases, turning ten in September 2026.

14,928 spectators
Palácio Pimenta · Lisbon · 2024
Bairros
Year-round community programme · since 2020The festival's permanent civic arm — community murals and workshops across Lisbon's bairros. · Inês Leote

100+ artists, five stages
Panorâmico de Monsanto · Lisbon · 2019
The Panorâmico, taken over
Panorâmico de Monsanto · Lisbon · 2018Digital, made physical
The phygital gallery in Marvila — generative, AI and blockchain-native art taking material form.
The tile,
broken open
Contemporary azulejo handed to artists as a canvas — handcrafted in Portugal, from the Barreiro atelier.
From one wall,
a house
It starts in 2005, on the walls of Lisbon. Alexandre Farto — Vhils, raised across the river in Seixal — begins carving instead of painting: removing plaster, brick and billboard layers to reveal the faces and memory beneath. The practice becomes known as urban archaeology, and the surfaces of a changing city become its material.
In 2010 the studio becomes operational, and in the same year Farto presents gallery owner Vera Cortês with the Underdogs project — a founding group show of ten Portuguese graffiti-rooted artists. By 2013 Underdogs has its own gallery in Marvila; by 2016 Festival Iminente stages its first edition in Oeiras, taking the culture the walls came from and giving it a stage.
By the end of the decade the pieces consolidate: Farto brings the team together in Lisbon as Cultural Affairs, repositioning the gallery and the festival inside one house. The house then keeps building at its own pace — Commotion at the Council of the European Union in 2021, the Eterno gallery opening its Marvila doors in May 2025, Clay taking the Portuguese tile to artists' hands from the Barreiro atelier.
Today the house is around fifty people in Lisbon, five companies and one shared production spine — with Festival Iminente turning ten in September 2026. The businesses exist to protect the practice, never to replace it.
2005 → 2026
One conversation reaches the whole house.
One point of contact carries it across all five companies.
- Museum & institutional commissions public art, exhibitions, loans
- Brand partnerships campaigns, editions, art programmes
- Public-art & city programmes
- Hotels, resorts & developments
- Collector & editions enquiries
- Press & media
filomena@vhilstudio.com














